36.1699° N — 115.1398° W

OMER
KHAN

Videographer & Photographer — Las Vegas

Scroll ↓

Director — Shooter — Editor — Colorist — Director — Shooter — Editor — Colorist —

50mm — Digital — Motion — Stills — 50mm — Digital — Motion — Stills —

Films in motion

▶ Play Reel

Showreel · 4K

Selected work

Couple on a rooftop above the Strip at dusk

Rooftop Dusk

Engagement
The Strip

Dune Light

Engagement
Nellis Dunes

Sandstone

Engagement
Red Rock

Couple with a yellow Corvette on a desert road

Open Road

Editorial
Desert

Canal Ride

Couples
Venetian

Bride and groom on a golf course bridge at sunset

Golden Vows

Wedding
2026

every frame earns its place.

I chase the frames other people walk past — late light, wet asphalt, faces mid-thought. Shot on whatever gets the truth: 50mm, mirrorless, a phone out a car window.

Sports every play, frozen

Raiders sideline action at Allegiant Stadium

NFL — Allegiant

Golden Knights NHL action at T-Mobile Arena

NHL — T-Mobile

NCAA men's basketball tournament action in Las Vegas

NCAA — Courtside

MMA — Fight Night

WNBA — Playoffs

PBR — Rodeo

Landscape ground & sky

Aerial panorama of a Fiji lagoon at dusk

Fiji — aerial, dusk

About me

Las Vegas-based videographer and photographer working across the Strip, Red Rock and the desert — graduations, weddings, portraits and more. I direct and shoot with a small footprint and cut everything myself — one pair of eyes from first scout to final grade. Clients range from independent labels to global brands; the approach stays the same: get close, stay honest.

Years shooting

0⁺

Projects delivered

Global

Recognised worldwide

Omer Khan, founder and lead photographer

Services

Direction

Concept, treatment, storyboards and on-set direction.

Scout the hour, not the spot

Every location gets scouted at the exact hour we'll shoot it. Red Rock reads flat at noon and glows the last two hours before the loop gates — the schedule is built backwards from the light.

Shot lists that breathe

A tight list of must-haves, then room to chase what the day gives. Posed frames first while everyone's fresh, candids once the nerves burn off.

Permits handled

BLM permits for Red Rock, property approvals on the Strip, timed-entry reservations in peak season — settled before you arrive, never on the day.

Cinematography

Digital and 50mm. Small crew, big frames.

4K, 24fps, 180° shutter

Motion that feels like cinema, not video — natural blur from the 180-degree rule, slow push-ins on a gimbal instead of whip-pans, drone establishers where airspace allows.

Real sound, real moments

Lav mics on vows and toasts, ambient beds from the room itself. The film cuts to what was actually said, not a music bed doing the work.

Two to four weeks

Highlight films delivered in two to four weeks, graded and mixed. Same small footprint as the stills side — one crew, no circus.

Photography

Editorial, campaign and backstage stills.

Off-camera flash at dusk

The signature Vegas look: a bare strobe balanced against the blue half-hour after sunset, so you're lit clean and the Strip still holds its color behind you.

Dragging the shutter

For neon and Fremont Street, the shutter stays slow enough to soak in sign color while flash freezes the subject — saturation without a filter.

Fast glass, long reach

Courtside at 1/1600 to freeze the play; 200mm compression at Red Rock to stack sandstone behind a couple; f/1.4 primes when the light drops to almost nothing.

Edit & Color

Offline to final grade, sound-ready masters.

Cull hard, keep the truth

Thousands of frames go to hundreds of keepers. Every selected image is retouched by hand — skin stays skin, no plastic pass, no AI smoothing.

Grade like film

Film-emulation grades tuned per location: warm density for the desert, cooler contrast for arena strobes, neon left saturated where it earns it.

Sneak peeks in 48 hours

Selects land within two days while the moment is still fresh. Full galleries follow in one to two weeks, delivered in a private gallery with print-ready files.